![]() Here are the three options I have come across: It is good to pick one and stick to it, so after reading through this pick the version that you like best and use only that one. Moving down, that is adding flats to lower the pitch by a semitone, we have some options. Similarly, moving up from ‘ti’ by a semitone, we are already at ‘do’.Īlthough some people use these names for both going up and down, there’s a different modification of the solfa syllables when you go from higher pitch to lower. This is for the simple reason that moving up a semitone from ‘me’ gives us a fa, which already has a name. You will notice that the ‘me’ and the ‘ti’, both of which already end in an ‘ee’ sound, aren’t modified. ![]() So the chromatic scale becomes:ĭo, di, re, ri, mi, fa, fi, so, si, la, li, ti, do. Going upwards, or adding sharps, we alter the name of each by an ‘ee’ sound. You might be wondering what happens to these names when we move outside of a major scale, or if we have some accidentals (sharps or flats) in a piece of music.Įach of the names in solfa can be modified up or down by a semitone or half step. ![]() ![]() Accidentals and Chromatic Scales in Solfége ![]()
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